Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how 'theatre-like' strategies and techniques can in fact enable 'reality making' situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
We will start with a short lecture on the concept of performative curating by Florian Malzacher, followed by a conversation between Florian and Anne Szefer Karlsen, moderated by Gulli Kr. Sekse.